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BIOGRAPHY
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Myriam Arbouz is one of the most distinguished soprano to emerge from the new generation of French singers, recognizable by her warm timbre, her eloquence and taste for declamation. Premiere winner of the Froville International Baroque Singing Competition in 2017 and a laureat of the Royaumont's Fondation, Myriam is in great demand on the international stage especially in 17th and 18th century repertoire.
Recent stage appearences include Myriam’s debut at the Dutch National Opera and subsequently at the Bolshoi Theatre in Trauernacht with Ensemble Pygmalion, conducted by Raphaël Pichon. She sang Calliope in Stefano Landi's La Morte d'Orfeo with Les Talens Lyriques conducted by Christophe Rousset at the Festival de Royaumont, Marzia in Handel's Catone in Utica world recreation with Opera Barga, under the baton of Carlo Ipata, Arminda in Mozart's |
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La Finta Giardiniera at the Theater De Nieuwe Regentes in The Hague, Stravinski's Pulcinella with the Residentie Orkest under the baton of Antonio Mendéz.
Myriam appears in the St John Passion recorded by ‘All of Bach’ with The Netherlands Bach Society conducted by Jos van Veldhoven. As part of her 2018 Australian tour, she was a guest soloist in The Genius of J.S. Bach at the Melbourne Recital Centre alongside Rachael Beesley. Myriam Arbouz played La Cuzzoni with Les Muffatti in a Handel recital at the Salle Gaveau in Paris and at the Palais des Beaux-Arts in Charleroi. With the Orchestre National d'Auvergne conducted by Robert Fores Veces, she sang in Mendelssohn's A Midsummer Night's Dream at the Festival de La Chaise-Dieu.
Myriam performs regularly with the internationally renouned harpsichordist and organist Benjamin Alard. They were recently invited in Treviso to play a program dedicated to Italian Cantatas by Scarlatti, Bononcini, Handel around the historical harpsichord Mattia de Gand. Later this season, they will perform the Note Book for Anna Magdalena Bach in Saint Donat.
With Ensemble SARBACANES, a period instrument wind quintet augmented with a double bass, they imagined an original form of recital focusing on Mozart Heroines.
Myriam performs regularly with the internationally renouned harpsichordist and organist Benjamin Alard. They were recently invited in Treviso to play a program dedicated to Italian Cantatas by Scarlatti, Bononcini, Handel around the historical harpsichord Mattia de Gand. Later this season, they will perform the Note Book for Anna Magdalena Bach in Saint Donat.
With Ensemble SARBACANES, a period instrument wind quintet augmented with a double bass, they imagined an original form of recital focusing on Mozart Heroines.
Calendar
Season 2023 / 2024
Royal Odes, Purcell
August 26, 2023, 4 pm, Salle Coppélia, La Flêche - Festival de Sablé/Sarthe
October 19, 2023, 8 pm, Arsenal de Metz
October 20, 2023, 8:30 pm, Théâtre de Poissy - Festival Baroque de Pontoise
LE BANQUET CÉLESTE, Damien Guillon, direction musicale
Céline Scheen et Myriam Arbouz, Soprani, Paul Figuier/Paul-Antoine Bénos et Mélodie Ruvio/Anthéa Pichanick, alti, Thomas Hobbs et David Tricou, Ténors, Benoît Arnould et Edward Grint, Basses
August 26, 2023, 4 pm, Salle Coppélia, La Flêche - Festival de Sablé/Sarthe
October 19, 2023, 8 pm, Arsenal de Metz
October 20, 2023, 8:30 pm, Théâtre de Poissy - Festival Baroque de Pontoise
LE BANQUET CÉLESTE, Damien Guillon, direction musicale
Céline Scheen et Myriam Arbouz, Soprani, Paul Figuier/Paul-Antoine Bénos et Mélodie Ruvio/Anthéa Pichanick, alti, Thomas Hobbs et David Tricou, Ténors, Benoît Arnould et Edward Grint, Basses
Octonaires de la vanité du monde, Lestocart
December 8, Paris
ENSEMBLE FAENZA, Marco Horvat, Direction musicale
Myriam Arbouz, Soprano, Marine Fribourg, Mezzo-Soprano, Andrea Gavagnin, Alto, Jan Jeroen Bredewold, Bass, Caroline Liéby, Harpe, Marco Horvat, Archiluth
December 8, Paris
ENSEMBLE FAENZA, Marco Horvat, Direction musicale
Myriam Arbouz, Soprano, Marine Fribourg, Mezzo-Soprano, Andrea Gavagnin, Alto, Jan Jeroen Bredewold, Bass, Caroline Liéby, Harpe, Marco Horvat, Archiluth
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Cantates de Bach, Telemann, Graupner
December 9, 8 pm, Temple Protestant de Lille Direction: Freddy Eichelberger |
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Matthäus-Passion, Bach
March 16, 2024, 7.30 pm, Rotterdam-De Doelen March 17, 2024, 2.30 pm, Alkmaar-Grote Kerk March 19, 2024, 7 pm, Eindhoven, Muziekgebouw Frits Philips March 20, 2024, 7 pm, Utrecht, Tivoli Vredenburg March 22, 2024, 7.30 pm, Tilburg, Theaters Tilburg March 23, 2024, 2.00 pm, Aardenburg, Sint Baafskerk March 24, 2024, 2.30 pm, Naarden, Grote Kerk March 26, 2024, 7.30 pm, Amsterdam, Concertgebouw March 27, 2024, 7 pm, Naarden, Grote Kerk March 28, 2024, 7 pm, Naarden, Grote Kerk March 29, 2024, 11.30 am, Naarden, Grote Kerk March 30, 2024, 11.30 am, Naarden, Grote Kerk Nederlandse Bach Vereniging, Johanna Soller, dirigent Thomas Hobbs, evangelist, Isabel Schicketanz, sopraan, Myriam Arbouz, sopraan, Alex Potter, alt, Marine Fribourg, alt, Raphael Höhn, tenor, Guy Cutting, tenor, Felix Schwandtke, bas, Drew Santini, bas, Kampen Boys Choir |
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'' Myriam Arbouz, flamboyante'' www.midilibre.com ''Myriam Arbouz fait preuve d'un remarquable équilibre entre technique, expression et projection du texte '' Philippe Houbert, classiqueinfos.com ''Myriam Arbouz a une voix d'une grande musicalité. [...] elle jouit d'une grande aisance technique, y compris dans la virtuosité appuyée sur une belle longueur de souffle, un très beau vibrato et des trilles rapides et serrés superbes. La voix est ample, bien projetée, homogène'' Jean-Luc Izard, www.baroquiades.com |
